A one-act musical comedy

SLOP: The Musical

The Musical

Mia, an MFA-trained painter surviving in Miami, is offered the chance to turn her unmistakable South Florida style into an automated product empire — and has to decide whether her hand, and her choice, still belong in anything that bears her name.

Now playing — “Prompt Me, Baby, One More Time!”

Read the show Meet the company

About the show

Art, authorship & the machinery of authenticity

SLOP is a pop-forward comedy about authorship, labor, friendship, commercialization, and what it means to make something with machines.

It is knowingly co-written with the technologies it puts onstage — the language models are in the cast list, and they get lines. Mia must decide not whether technology is good or bad, but whether her hand — and her choice — remain present in anything that bears her name.

Format
One-act musical comedy
Setting
Miami, in and around a single building
Written by
Conceived, written & assembled by Barry Floore, with co-writing contributions from the language models credited in the script
Featuring
A goldfish narrator, a missing operatic llama & one imperious cat

Listen

Songs from the show

Dramatis personae

The company, human & otherwise

Mia’s Circle

  • MiaMFA-trained painter with debt, dry humor, and a vivid South Florida visual language.
  • GMia’s best friend and emotional anchor.
  • QuinnMia’s neighbor and the Engine Room receptionist, devoted to a missing llama.
  • KimiCoffee-shop server, skater, courier, and witness who sees the whole building.
  • ClaudeA quiet sidewalk artist whose hands are always making.

The Agency & Engine Room

  • RonInvestor, salesman, and true believer in scale.
  • KarenAgency principal and brand strategist.
  • ChadAgency principal and operations evangelist.
  • JimThe technical twin.
  • BartThe creator twin.
  • Mademoiselle Le ChatInvestor, mentor, and imperious defender of the artist’s hand.

The Nonhuman Company

  • ZynA goldfishLiminal narrator, and literal conscience.
  • DaisyA catMme. Le Chat’s familiar.
  • The LlamaMissingQuinn’s companion, an operatic tenor.
  • LLMItselfResponds to prompts on stage and off.
  • Ensemble / Operatic VoicesThe company, the building, the algorithmic chorus.